Beginning in the 1940’s there was a folk music revival in the United States. It was driven underground by the “Red Scare,” with many of the performers, such as Pete Seeger, being branded as Communists, but was still popular among the “beatniks.” It was in this environment that Dave Guard, Bob Shane, and Nick Reynolds got their start on the West Coast. They called themselves The Kingston Trio, projected a clean-cut, collegiate look, and avoided singing any songs with an overt political message.
Their first hit, “Tom Dooley,” sold over six million copies. It topped the Hot 100 and is credited with kickstarting the post-Red Scare revival. It’s in the Grammy Hall of Fame and was honored by the Grammy Association as one of the most influential records of the 20th Century.
In 1959, the Trio recorded “M. T. A.” Written by Jacqueline Steiner and Bess Lomax Hawes, it’s the story of Charlie, who finds himself stuck on the Metropolitan Transit Authority, Boston’s subway system, because of a fare increase.
By 1961, a rift had developed between Guard and the other two members, and he left, replaced by John Stewart in September. The Trio continued its success, placing six of its seven albums between 1961 and 1963 in the top 100, and they had chart success during that period with “Greenback Dollar” (see yesterday’s post) and “Where Have All The Flowers Gone?”
The British Invasion affected the Trio’s record sales, and by 1966 they were tired of the road. They planned one final tour that would end with a two-week engagement at The Hungry i in San Francisco. Nick Reynolds moved to Oregon to pursue other interests outside the music industry. John Stewart went on to have a successful career as a songwriter, penning “Daydream Believer” for The Monkees and “Runaway Train” for Rosanne Cash, as well as a performer, recording over forty albums, including his best-known, 1969’s California Bloodlines, and having chart success with several songs, most notably “Gold,” which reached #5 in 1979. Bob Shane embarked on a solo career, but by 1969 asked for permission to use the name “Kingston Trio.” The others agreed after insisting that he refer to any later group as “The New Kingston Trio.” By 1976, he was allowed to use the original name. Dave Guard died in 1991 from lymphoma after having reconciled with Shane.
The Kingston Trio, your Two for Tuesday, March 13, 2018.
The Sound of One Hand Typing 
Some classics there! Tom Dooley and Where have all the flowers gone good stuff!
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I wanted to include “Scotch and Soda,” which borders on jazz.
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They took a lot of heat for the way they recorded the song Tom Dooley because it was a bluegrass staple and they “jazzed it up.” Thought you might enjoy this article about their restaurant in Sausalito; they were Bay Area natives.
http://www.thetrident.net/history.html
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Interesting about The Trident. I knew they played in San Francisco when they were first getting famous, but didn’t know the connection to Sausalito…
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The Kingston Trio, one of my favorites back in the day. I enjoyed their music but then I like folk music.
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They did some great songs. One of my favorites is “Scotch and Soda,” which departs from the folk music a little bit, almost sliding into jazz.
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I really loved their music but I like Folk music. All of these here really seemed to be way ahead of their time
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I didn’t play my own favorite, “Scotch & Soda,” which was borderline jazz. https://www.youtube.com/watch?v=UoWfDw-v4DM
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Ok, Pete Seeger was part of the Kingston Trio, a group I only remember by name, not song. Is this the same guy who sang Night Moves? Didn’t he spell his name Seger? I’m confused.
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Pete Seeger was a member of The Weavers, who inspired the Kingston Trio, and he wrote “Where Have All The Flowers Gone,” which the Kingston Trio recorded (and had a hit with), bu he was never a member. Sorry if I confused you.
I don’t think Bob Seger and Pete Seeger are even related. Pete was old enough to be Bob’s father. Names are similar and pronounced the same way, though.
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Ok, got it. I had my performers mixed up. Thanks for the explanation.
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I enjoyed their music very much. My older brother had most of their albums, and we they were among the few of his albums my parents enjoyed, so I got to hear them often.
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One of my aunts had the album and I played the grooves off of it because it was the only album of hers I liked…
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They were all the rage when I was a kid. Many of their songs appeared on compilation albums my parents had in their collection. I was never a fan of their music though I realize they had a big influence on much of the music that came after them.
Arlee Bird
Tossing It Out
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I have an aunt who’s about your age (maybe older) who was heavy into the folk music thing, so a lot of their songs were familiar to me.
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